![]() Still, it's the main performances that really elevate Scream VI. ![]() There are a few moments to stop and breathe, making the two hours or so pass by relatively quickly due to non-stop entertainment. Even composers Brian Tyler & Sven Falcouner's score feels more complex as it incorporates classic tracks with new music. All with the aim of giving regular viewers reasons to keep coming back while also hopefully winning over new fans. The budget went up by $10M, the cast is larger, the chase sequences are even longer, the kills are much more violent, and the levels of gore have never been this brutal. In fact, everything is "more" or "bigger" in Scream VI. The subway, shops, an abandoned theater, the city's streets and alleys, big and small apartments… the new sets contain several references to all previous movies, helping expand the scale of the current one. New York City being the main location of this sequel's story is not only incredibly refreshing, but it also offers many opportunities for the new Ghostface(s) to torment their victims. Scream VI ultimately fails in this aspect, but I'd rather start with what directors Matt Bettinelli-Olpin & Tyler Gillett (also known as the director duo team " Radio Silence") and screenwriters James Vanderbilt & Guy Busick actually manage to get right. For me personally, the best installments of the saga manage to efficiently mix said meta commentary with a slasher narrative, which the original flick and Scream (2022) perform exemplarily. From the countless formulas used by Hollywood to the impact of social media on viewers' expectations, Scream stands out for its often thought-provoking ideas. Obviously, I can't speak for all fans of the saga, but I believe that one of the most appealing features of these films is the meta commentary on cinema itself, especially the horror genre. One year later, does Scream VI live up to expectations or does it fail to capitalize on the wave of enthusiasm that its predecessor created? Nowadays, if an original film without any intentions of creating a new saga of sequels, prequels, and spin-offs, ends up with the slightest commercial and financial success, it's only a matter of time before rumors of follow-up movies become a reality. The horror franchise Scream rising from the ashes is hardly a surprise, but its return last year (with the entry titled Scream from directors Matt Bettinelli-Olpin & Tyler Gillett) was so well received that many – myself included – consider it the best sequel in the franchise. PART III: A discussion about the cast (alumni and new) and filming during the pandemic.We live in the Franchise Era, and I doubt that anyone would attempt to claim the opposite. PART II: A talk about SCREAM (2022), aka SCREAM 5. PART I: A conversation about Wes Craven, scary movies, and SCREAM (1996). Because it’s a very narrow one“, teases Gillett.īut, if the plot is under a lot of secrecy, the rating was predictable: “ The movie is rated R“, confirms Chad Villella. ![]() We’re so curious to see how the marketing department is going to thread the needle. ![]() ![]() There’s a lot in this movie that can be spoiled really easily. “ That’s going to be the challenge with the trailer. Regarding the trailer, there’s something that could be further delaying the first peak at the anticipated sequel : The puzzle of assembling footage without revealing many specifics about the plot, death scenes, or other spoilers, like “ Halloween Kills” fell victim to with its most recent trailer. “ It wouldn’t be a SCREAM movie if it wasn’t self-referential and didn’t talk about, you know, where the genre is at in a kind of pop culture sense“, recalls Tyler. The new film continues another SCREAM tradition, which would be unfathomable if broken: the self-aware commentary and current state of horror. This isn’t a movie that you need to have seen 27 other movies to understand But, your experience will be extremely heightened the more knowledge you have of those previous four“, he explains, and then promises: “ We have a ton of easter eggs“. “ A lot of it came from the script, where the entry point is accessible to everybody. According to Matt, their mission was to make “ A standalone good movie“.īut, how could it be possible to merge legacy and a fresh new start? One of those risks was losing the numeral near the title. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |